"Roaming Apple Tree" 8x10 inches, pastel over gouache on Uart.


Four painters roamed for four days over the Door Peninsula the third week of October this year finding it cold, cloudy and often wet. Fortunately there are many ways to find shelter and this painting was from within a row a trees against which the wind buffeted. 


The first morning I didn't set up due to continual rain that became increasingly dense. But the oil painters continued to work, some without cover, so it'll be interesting to see how that turns out. Being the only person working in pastels, I can't say if that was an advantage or no. 

That was the only day that I couldn't get going. After that, these wild apple trees continued to get my attention, seems like I did four or five paintings of various groups ... it says a lot about the former orcharding going on in the area.

This sample of Uart brand sandpaper worked well enough for me to want to try it again soon. The paper was mounted and nicely flat, a light tone to it to start, took the washes well and dried at least as well as Wallis which was slow only because of the really high humidity.


These old apple trees were a persistent source of sculptural forms, even holding their fruits which ranged from brilliant yellows with carmine tints to deep lipstick reds which had even darker blushes of burgundy.


I also need to announce that the group of painters on this trip and I have launched a blog for the group. Please give us a few days and then see what happens ... there is a lot of energy and with everyone so attracted to the Driftless area, or from that region, we've named the site after it. See the links to the right for the Driftless 6/10 Blog.

Wisconsin painting.
Mid October presents another painting week in Door County with my painting buddies, yahoo! It will be beautiful though I haven't painted there so late in the year. This also presents a chance to work with the GPS markers I've planted over the last six months as painting sites.

I'm particularly interested in the sites I marked after the competition in July, when one of my new friends there walked me around and pointed out likely places. Many of the other sites are terrific and well tested.

The group will be dynamic and interesting as the range of talent is broad. Paint, paint, paint, crit, art talk and the next chorus is the same.

Working title: "Dusk" 6x18 pastel on sand paper, Door County Wisc.

This piece shows quite a bit of underpainting and the delicacy that I most enjoy and with which I have wrestled over the summer to incorporate into larger pieces. It is a light touch that works well in the smaller pieces and was elusive as I changed subjects, format and size. 

Coolness but lightness in the shadows of this June painting were a direct contrast to the startling radiance of light striking the aspen. Deep dark pines in shadows with a few cedars also in shadow in the upper right. The scene is a long abandoned homestead, hence the irises in the sunlight area along with other garden flowers in a now weedy field. The large shrub left and background right of center were old, old lilacs long past their bloom and presenting an odd display of seed pods–a rangy color of rusty brown.

"Sand Road Park", Door County, WI

The weather on the peninsula is varied and with so many beautiful places to paint, it's pretty easy to work around whatever happens. I was interested in the light, the water effects and subtlety of color in this "widie". 

Painting in this area for the last week with a painting in the morning before my friend wakes up, and one in the evening is not nearly enough to satisfy my curiosity about all the magic here, the wilder areas are especially attractive, and even with the bloom of biting bugs in the last few days, call for extended work. 

Between painting we've toured around the peninsula, and done a bit of research for the coming invitational competition in this area about three weeks from now. Yikes, it's coming up quickly. 

One of the challenges here is the contrast of man-made and wild subjects. The wilder subjects are most to my tastes and style, but the human components function as anchors for the viewer – a way into the painting. As with gardens they dictate more and allow less free handling. 

Am heading out now to explore just such an opportunity.