Critiques: Work well spent.
In January I requested a critique from the local art museum director, second time in a couple of years. It always takes a bit of prep to get the work organized and limited to a reasonable body which can be seen in the half hour/hour we have. This time I took in old work and new work. Six large-ish pieces that I call my swamp trees and about that many new pieces also large-ish.
The earlier work was on black and the new work done in my usual technique of gouache underpainting on sandpaper. "Spooky" and "alive" were the first comments to come out of the curator and the director's mouths seeing the first, black background, early work.
The second body of work was all about the magic of a particular place, discovered last fall while we sipped up an extended Indian Summer.
Neither body of work has yet made the gallery rounds, so this was a test balloon sort of critique.
I had so much fun with this one, except that the hauling of 20x24 inches work needs to be refined, every new expansion requires a refinement in my technique, schedule, hardware or supplies. The critique was a great way to move this all forward into new territory.